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Jill McGown

Jill McGown - Author

Jill is crime and mystery writer & has written many successful novels. Born in Campbeltown, Argyll, she was a Brownie.

"Your best won't always be good enough, but if you have done all you can, you should have nothing with which to reproach yourself."

On being Scottish...


Where are your best memories of childhood holidays in Scotland?

My childhood holidays were spent in Rothesay on the Isle of Bute, and everything was special. We stayed in a holiday cottage in Ardbeg, which was totally different from our second floor two-storey flat in Campbeltown.


It was tiny, and the stairs to the bedroom were as steep as a ladder. The summer evenings seemed endless - if the adults forgot about us, we children could play in the garden until after ten, which seemed very daring and wicked.

Other holidays were in Glasgow - and my favourites there were the tram and subway, and my Aunt Flora's mince and potatoes, which remain easily the best mince and potatoes ever. I think her secret was to use rump steak!

Which is your favourite Scottish novel?

I think it's probably The Daughter of Time by Josephine Tey, in which her detective Alan Grant, confined to hospital, 'investigates' the murder of the Princes in the Tower, 'proving', by use of contemporary documents, that Richard III was innocent of the crime. The daughter of time is the truth, but Alan Grant discovers that the truth is sometimes less potent than that which people choose to believe.


Career…


Did you meet anyone who inspired you to create the character Chief Inspector Lloyd in your novels?

Not really. I've never based any character on someone I've met, at least not consciously. And Lloyd came about by a process of elimination. I wanted him to be a Celt, but I felt that if I made him Scottish, I might pigeonhole myself as a Scottish writer. (Ian Rankin's success shows you just how awful that would have been.)

I thought of making him Irish, but the Troubles were at their height when I began writing, and I didn't really want him to have to have an opinion about them. So he became Welsh. His habits and characteristics tend to be mine, or the opposite of mine.

Has your writing ever been impacted or improved in some way by feedback you have had about your novels?

I read the comments by readers on the Amazon site, and I read any reviews that I happen to get. If a criticism seems justified, I do try to ensure that I don't continue to do whatever it is that irritates people.


How do you start your novels - do you have a character, plot, ending or title first?

I start with a character, almost always. I then rummage in my mental plot drawer for a plot that might fit this character. My 'plots', if you can call them that, are minimalist to say the least, so that bit isn't difficult. With Redemption, for instance, it was simply a joke someone told me.

The character of the vicar came into my mind one night, complete with a daughter who had an abusive husband. I thought about the vicar and his family for a little while, and then saw how they could fit my 'joke' plot.


The complexity comes as I write, and is dictated by the characters as they are revealed to me. The plot will always give way to the characters, so even I don't always know how the story will end.

The title usually emerges during the writing, but sometimes it's the very last thing I think about. And it often has to be changed.

If someone was going to read one of your novels - which one would you recommend they start with?

The Lloyd and Hill novels are, of course, each complete in themselves, but there is a continuing story and the characters develop through each novel, so I would recommend starting with A Perfect Match, being the first one.

This is not, however, essential - the back-story is sketched in each time. That in itself is quite a challenge - finding new ways to explain the set-up to readers requires some ingenuity!


Guiding…


Are there any values that you developed in Guiding that are still with you today?

I think perhaps the most important part of Guiding is the philosophy of 'do your best'. Your best won't always be good enough, but if you have done all you can, you should have nothing with which to reproach yourself. I think that's worth taking through life, even if I can't claim always to live up to it!


Being a woman…


Do you think women writers are different from male writers?

I think there are two answers to this. It seems to me that in the 'page-turner' category, men tend to write action novels, and women tend to write novels of emotion. There are, of course, exceptions, but I think that's a fair assessment, broadly speaking.

In the non-blockbuster world, I think there is very little difference between male and female writers, certainly in genre fiction. I think it would be difficult to guess the sex of the author of a science fiction novel, for instance. I suppose that at the 'literary' end of the scale, men and women perhaps have slightly different agendas, but the quality of the writing is, I believe, indistinguishable.

What is the best thing about being a woman?

Being able, without embarrassment, to ask men to remove spiders from her vicinity.


What's important to her...



Which author do you have a great respect for?


I respect and admire many authors, but the one that has emerged top of the list (as she has so many lists) is J K Rowling.

I wouldn't have believed it possible to turn an entire generation of children reared on TV and computer games back to the joy of reading books, but J K Rowling, did it. I admire her for that, and for the way in which she has dealt with her incredible fame and fortune.

And yes, I read and very much enjoy Harry Potter. She doesn't in any way talk down to her readers - on the contrary, she gives them serious questions to consider along with a great story, and does it all with a delicious sense of humour.


To find out more about Jill please see www.jillmcgown.com

Find out more about Guiding


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